I am a sonic dramaturg who explores the relationship between physical motion and the generative potential of improvised sound. I collaborate with choreographers to investigate how sonic textures—through sampling, riffs, melismas, and poetic word weaving—can serve as narrative and compositional tools. By treating sound as both score and script, I use real-time sampling and live sound manipulation to shape choreography, crafting aural landscapes that probe the intersections of queerness and Black selfhood.